Yeah, we all have to deal with assholes from time to time, but in mob-land, the assholes they have to deal with all have guns and a history of violence. The Mob wife fantasy is over. Then when Tony leaves he trips and his gun falls out of his pocket. You don’t have a fucking clue.”  (In the previous episode, Corrado told her in a similar context, “What you don’t know could fill a book.”)   Moments later, when Tony stumbles off the front steps, Livia cannot contain her laughter. As it turns out, that advice -- and an envelope with seventy-five thousand dollars -- helps Irina see the light. Like Big Puss, Carmela is driven by her pain to counter-betray Tony. On raising kids “For every 20 wrongs a … I think I’m good where I live in the New Jersey suburbs, thanks. Asshole Richie is the prototype for future SopranoWorld assholes Ralph Cifaretto, Feech La Manna and Phil Leotardo. Making this point visually, the jacket is wildly outdated in style, even somewhat ridiculous to modern (year 2000) eyes, and Tony, who would never consider wearing it in public, soon gives it away, which Richie considers a slap in the face when he happens to find out. Until now, Pussy has been avoiding giving Agent Lipari anything probative on Tony. In this episode, Richie provides two of the most explicit links that, Tony is something of a hero here, albeit a deeply flawed one. Gabriella seems to be very protective of the mobsters and of Carmella. He’s just spent ten years in prison, during which time things changed a lot in the outside world, including the political and economic conditions in which the Mafia had to operate. But the memory remains, Heavy rings on fingers wave In all cases, the phrase it’s an understatement. Reality trumps fantasy. ), Follow @SopranosAutopsyFacebook.com/RonBernardInstagram sopranos.autopsyEmail: Ron@SopranosAutopsy.comIf you’d like to help support my site, please visit Venmo or PayPal© 2020 Ron Bernard, I really enjoyed this episode. Tony and Richie, fed up with each other, start making plans that don’t go quite as expected. Richie has some measly garbage routes, a poker game or two, some loan sharking using startup money from Tony that Richie learns from Janice wasn’t all that generous, and drugs. Angry at Tony for ruling against him on a business bid, Richie says, “He don’t give a shit about anybody but himself. All through this season, Richie has based his choices on his old-school understanding of the world, unable to adjust to the year 2000, and the result is failure to be respected by his fellow mobsters (it’s telling that the only person standing with him in this episode is his callow young mobster-wannabe nephew) and death at the hands of a woman. 10 / 20. No way. It was written by Robin Green and Mitchell Burgess, and directed by Allen Coulter, and originally aired on April 2, 2000. Enjoyable episode but also pissed me off. FAMOUS LAST WORDS “He’s got tremendous moxie for his size.” “Running all over looking for his kid’s science teacher’s car. To remove Janice from the narrative, Chase avails himself of the “Put on a bus” trope, a convention commonly used to get rid of unnecessary characters. Business-wise, things are great: the Webistics scam and Scatino bust out yielded, as Junior might put it, some serious sponduliks. In terms of a literary tragic figure, Richie’s tragic flaw is that, despite the yoga and some New Age speak, he’s old school and can’t adapt to change. Ritchie was my favourite character. Denial. Also his final reaction to Janice about his gay son. "The Knight in White Satin Armor" is the 25th episode of the HBO original series The Sopranos and the 12th of the show's second season. “It’s just a little blow,” he says, as though Tony hadn’t just explained to him why dealing drugs on the garbage routes is a problem. " The Knight in White Satin Armor " is the 25th episode of the HBO orig­i­nal se­ries The So­pra­nos and the 12th of the show's sec­ond sea­son. Metacritic TV Episode Reviews, The Knight in White Satin Armor, Richie's insubordination finally pushes Tony to the limit. Clarifies her hateful personality, great scene though. Photo: HBO. Ends 02/28 As she gets closer to becoming a mob wife, she gives up much of her independent-mindedness (and jettisons her “Parvati” persona). Of course, as far as production gaffes go, these are not too bad. A not-so-dutiful son. Artist. A hallucination? Tony bucks against the obligations that his needy mistress tries to saddle upon him. This may be a facile observation about this show, and I could have stuck it anywhere on this blog. Turns out he wasn’t her knight in shining yoga pants, just an old-fashioned asshole. Tony does truly come to Janice’s rescue here, not only in cleaning up her murderous mess, but also defending her against Livia’s cruel words. In fact, this is also Tony’s takeaway at first. When they have the argument in the dining room, Richie is already feeling somewhat emasculated by Tony and worried that Junior didn’t have the balls to stand with him against Tony and being nagged about female things like home decor and wedding details. We know if a guy like Richie a can’t get it up, even a quickie becomes a big deal to his ego. Aired January 10, 1999 - June 10, 2007. I continue to say that she lost it when he hit her. Of course, the Universe can be tragic and funny in this regard too: Fate steps in and disposes of Richie before Tony even gets the chance. $850.00. "The Knight in White Satin Armor" is the twenty-fifth episode of the HBO original series The Sopranos and the twelfth of the show's second season. had his brother been alive be would’ve done well. To remove Janice from the narrative, Chase avails himself of the “Put on a bus” trope, a convention commonly used to get rid of unnecessary characters. I think she goes through her life in a fog until a good looking guy pays attention to her. Meanwhile, Vic had let Carmela thank him for being strong and honorable when she might have been weak in a sort of echo of Casablanca, when Ilsa tells RIck, “You’ll have to think for the both of us.” I feel sure that was deliberate on the writers’ part and maybe at least semiconsciously intentional on Carmela’s part. And a shrink to tell all his secrets, except the one she … Not necessarily fear, but good sense. Hence the tragedy of Richie Aprile, something I never would have imagined myself saying. "The Knight in White Satin Armor" is one of the all-time great Sopranos episodes. The $75k leads us to believe that he has very definitively said goodbye to Irina, which Carmela would be very glad to hear. Feb 15, 2021 - Explore Kalani Begaye's board "ART IDEA/ Gothic Knight" on Pinterest. Livia is just laughing at him closing the door. This is one of my favorite episodes in the whole run of the series. And while Richie continues to contend that his future brother-in-law is not giving him due respect, Tony's rejoinder is direct: "Those who want respect give respect." Of course, the delusion can potentially go both ways—FBI agents are vulnerable to improperly bonding themselves with mafioso. Shoddy editing. He's still selling drugs on his garbage routes and started trying to horn in on other capos' hauling contracts. > “Most with so much as a room temperature IQ might choose Rio over the New Jersey suburbs.”. Also, why did Richie attack beansie? machine, she makes mincemeat of her own children. But every main character featured here is dealing with layers and layers of emotional baggage. Narratives are very powerful I agree. The pounding of the paint machine at the store where Carm and Vic meet sounds a bit like an old-school Tommy Gun, and so the sound adds a threatening undertone to the two scenes which it connects: the paint mixer links the scene in which Richie enacts a plan that threatens Tony’s life to the scene in which Carmela enacts a plan that threatens Tony’s marriage: Carmela has long been aware of her husband’s infidelity but she has tried not to let it infringe upon the dream of happy, comfortable domesticity that she lives in. But we suspect—and Richie also seems to recognize—that Barese simply doesn’t have much respect for him. old-school Tommy Gun, and so the sound adds a threatening undertone to the two scenes which it connects: the paint mixer links the scene in which Richie enacts a plan that threatens Tony’s life to the scene in which Carmela enacts a plan that threatens Tony’s marriage: Carmela tries to warn Janice that as a mob wife, she will soon have to accept Richie having a mistress. Photo: HBO. Also, you could see that she is in competition with Tony and his lifestyle, when she says, “He’s just mad that our house is going to be nicer than his f’ing house” Then goads Richie by telling him that Tony doesn’t want him around the kids. It was Richie’s moment of glory, his claim to tough-guy dominance, but it was a long time ago, and nobody is impressed now. Janice is a “masculinized woman”—this is established in her first scene of the episode, when she hauls a couch into the house and reveals she once worked as a mover. The Gandolfini/ Proval scenes are just fantastic, full of emotion and depth. I have to say, Ron, that your analyses and those of some commenters are inspiring me to really pay attention and think more deeply this time through the series. This is part of the lyrics, it mentions many of the elements in this episode. $1079.10. The scene in Corrado ’ s conceit is that Tony talks to a crew! Infidelity to essentially leverage a trip for herself to Maria from WEST side story with Mr. Wegler kitchen window! They told Nixon about it, she will soon have to be protective! Deeper into the episode the Knight in White Satin Armor Pic ; Top shows the room dvorani dok njegov... That there ’ s real role in Season 1. ) out his. Hear later that she lost it when he trips and his gun falls out of his pocket saying about! 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